LADY GAGA: FASCIST IS AS FASCIST DOES

I’ve always liked Lady Gaga.

In spite of the fact that her “friend of the marginalized” routine was done better by David Bowie and Madonna, she has always seemed like a genuine pop talent. It’s hard not to like Just Dance.

I will say though that Born This Way struck me immediately as a ripoff of Express Yourself and so maybe it would be better to say I used to like Lady Gaga.

Taking a bit of persona from Madonna and Bowie is one thing; blatant plagiarism is another altogether.

I wish now that I’d gone to see Madonna when she came to Bangkok doing that sarky mashup of the two songs as a way of letting everyone know what she thought of the bitch stealing her music.

And then came the recent Democratic primary. Both Lady and Madonna came out for the warmongering Saudi supporter Hillary Clinton and blew all respectability right out their celebrity asses.

I mean, Margaret Thatcher was a woman too, right? She who destroyed British unions and led the Anglosphere charge into atomistic neoliberalism? She didn’t so much break a glass ceiling as smash a champagne bottle and shove it right up the workers.

But the show Gaga just did for the ever-tawdry SuperBowl was the last straw.

After showing up in Michael Jackson’s Prussian drum major outfit at a Hillary rally and causing a TwitStormFuhror over her apparent Nazi appearance, it was hard not to read her mouthing God Bless America against a backdrop of drones rendering Old Glory in a night sky subtly reminiscent of Baghdad back in March ’03 as a paean to the perpetual fascism that is and has been America since The Donald was just a lad.

I don’t really care who’s land that land is or who it was made for. It sends its sons and daughters of all races and sexual orientations to kill kids wherever brown folks live in relative poverty.

And celebrating that puts Lady Gaga right up there with Leni Riefenstahl, except of course that Leni was blessed with a brilliant visual sense and Gaga’s choreographers on this occasion could only have been blind.

Trump(ets) of Doom

February 3 2017

These two tweets are a perfect distillation of one of the many things ailing “the left” these days:

It’s possible that Murtaza isn’t old enough to know what the “decades of struggle” he is talking about were actually about. They were not about getting racist speech out of the public sphere. They were about voting rights and discrimination in housing and employment.

One of the side effects was to make public expression of racism impolite and extremely unattractive and uncool.

People like Murtaza apparently think it’s the side effects that matter. And that politics can be conducted as a class in deportment and etiquette, and so long as saying racist things is uncool, all is right with the world.

Question: What if they instituted a new Jim Crow and no one ever said the n-word?

Narcissus and Echo Do Thailand

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Everyone knows the myth of Narcissus, the beautiful young man who so loved to look upon his own reflection in the surface of a pool that he lost his will to live and wasted away and died there.

Less well-known is the story of Echo, the nymph who loved him, and who, because of her own inability to communicate anything but a repetition of the last part of the last thing she’d heard, was unable to help Narcissus find his way back to the hunt from which he’d become separated, thus inadvertently leading him to his death beside the spring.

As always with Greek myths, whether in their “raw” versions or after being “cooked” by a subtle chef like Ovid, the psychological suggestiveness and ever-shifting hints of possible meanings in this tale are tantalizing to say the least.

A figure who can only bear to gaze upon his own representation is desired and endlessly repeated  by a figure who can never actually say anything but what has been said just before by another.

Sound familiar?

It’s not hard to see how one interpretation of this ancient story could be applied to a critical examination of “western mass media” (one of whose outstanding characteristics has even been labeled an “echo chamber”)  and its treatment of “the other”, particularly governments and institutions native to areas outside the conventional boundaries of “the west”.

Like Narcissus, western media tends to love to gaze upon its own image, judging the world in all its variety by its similarity to that image, which for all intents and purposes may be called “liberal democracy” and all that that entails.

When “international opinion” is generated and reflected in the media it is more or less always an opinion that says little more than that “ours is the most beautiful image and the only one desirable”.

In relation to Thailand, of course, the most recent manifestation of the western scribes’ tendency to enact the eternal recurrence of the tale of Narcissus and Echo is in taking place on New Mandala, among other sites both on and offline.

Whatever else we can know about what is happening behind the curtains in back rooms with closed doors that create in effect a black hole, we can be sure that there will be “sources” of information that simultaneously deny and affirm that no information is getting out about what is actually going on.

“Source” of course, in French, means “spring”, as in The Spring of Narcissus, which Pausanius located in the territory of the Thespians. And when you consider the degree of dramatization involved in what these sources/springs are leaking out you can see how apt his choice of locale was.

You can also see that “sources” never give out information that does not reflect  the image of our dear scribe/Narcissus and his superior values. Whether this is because Narcissus simply cannot see what is not himself or because  a wise “source” will never waste time emitting information that can never be received anyway is unclear.

What is clear is the tendency for many of the writers on the website to reflect and amplify the speculations and outright fantasies of other writers there.

There is also a remarkable tendency for commenters to celebrate the paucity of real information by echoing the self-congratulatory tones of the writers with such exclamations as “courageous!” and “eye-opening!” when something written by an armchair observer of Thailand ensconced comfortably thousands of miles and unscalable legal mountains away from any threat has simply reflected the “sources” and built an article on pure guesswork.

Both Echo and Narcissus died by attrition, by wasting away from afflictions very much like those of contemporary media. Narcissus could not see

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anything, could not love or desire or value anything but the image of himself, and so died longing to possess what he could not and already did.

Built as it is upon the most shallow acceptance of the nostrums of “liberal democracy” as a cure-all for what ails the world outside the west, even media like pseudo-academic websites can do little more than gaze into a pool of bogus reflections when confronted with people and systems that care little for the westerner’s loudly proclaimed self-regard.

And the absolute need to parrot, to echo, whatever it is that the pool of journalists and academics have decided is the “true” reflection of what is going on in a situation like the Thai succession gives off more than a whiff of death by incessant repetition of empty banalities, especially since it is all predicated on the insistence that nothing can really be known at all.

In that it reminds me of how “old Thailand hands” have a tendency to say things like “It’s all smoke and mirrors, lads. We can never know what is really happening and never understand how they think, these Thais” just before they launch into the definitive version of “what is really happening” and “what Thais really think”.

Narcissus and Echo indeed.

The Way We Are: Creating Our Own Realities I

Watching the Trump Show, aka the 2016 Presidential elections, has been a real eye-opener.

Apparently there is a problem with racism in the United States of America, and it is just recently coming out of the deep dark hole it has hidden itself in since the last time American racism was on display for all the world to see.

Now there are those who might think that the fact that American police officers kill black men at an alarming rate with impunity for just about any reason at all at just about any time is the face of American racism, but they would be wrong.

There are others who might think that the American record of mass slaughter of non-white people around the globe over the past half century is the face of American racism, but they too would be chuckled at for even suggesting such an absurdity.

No, ladies and gentlemen, the face of American racism is Donald Trump and his white working class supporters. Serious liberals, and even more serious conservatives, are throwing  the f-bomb around like someone had spiked the punch at the Pundits Ball. And the f-bomb I refer to is FASCISM.

Yes, folks, those overweight, badly dressed, gun-wielding, low-class white people with their religion and their shitty jobs are turning to fascism in their frustration with their loss of absolute control of the American dreamscape.

They want their America back. They want America to be great again. And they want someone to set things up so they don’t have to work two jobs, both requiring silly uniforms and obsequious sloganeering, to pay the rent on their crappy houses.

Fascists, or what?

Fortunately for the liberal hegemony we have all come to know and love, Trump is on course for a thrashing by Hillary Clinton, whose liberal credentials include the astounding fact of her gender. She is woman. Hear her speak to Wall Street. Then watch the millions stream into her bank accounts.

Women love Hillary of course because glass ceilings need to be shattered and Hillary is certainly the woman for the job.

Neoliberals love Hillary because, no matter how much bogus “leftward movement” has been forced on her by the traitorous Bernie, she is one of them. Wall Street will continue to run the American economy as it has done for decades, and when Hillary gets out of the White House in 8 years she will have more seats on boards than the Titanic had deckchairs.

Neocons love Hillary because she is a firm believer in America the Exceptional and Indispensable Nation and will gladly use whatever weapons are available to prove it. This is not to be confused with the neo-fascist desire to make America great again because neocons just want to pound the living shit out of some third world country because America is already great and it has a duty to do so.

Black people apparently love Hillary but I can’t for the life of me understand why. While Wall Street was reaping billions in profit from the mortgage fraud that decimated many black families, maybe Hillary was having buttons printed up somewhere about “rainbows” or “POC” or something similar. Maybe black Americans forget who torpedoed welfare and set the militarized police forces across the nation on the course they are on today.

And “liberals” love Hillary because she is a woman and because “liberals” will be on a real “liberal” streak when they deliver the one-two “liberal” punch of a black POTUS followed immediately by a woman POTUS. Because, after all, what else does “liberal” signify? Besides membership in or support for the Democratic Party.

Those of us in the reality-based community outside the American media wonderland, outside the Beltway, and outside Wall Street and the circle of those who really really admire Henry Kissinger, can only shake our heads in wonder.

And what about those crazy Thais, eh? Voting for an anti-democratic constitution? And those Filipinos? Electing a man who brags about extrajudicial executions! Wow. You’d almost think they were Thai!

Laughin’ Just to Keep from Cryin’ (The Contradictions of Thai Democracy)

One of the more frustrating aspects of dealing with the people who deal with Thai politics in both the traditional and the new media is the tendency to simultaneously acknowledge and deny certain undeniable truths about Thai politics.

1) Everyone agrees Thailand has never been a democracy. This never stops people from claiming that the most recent coup has destroyed… yep, you guessed it… Thai democracy.

2)Everyone knows that “Thai-style democracy”, in one variant or another, has been what passes for democracy in Thailand for decades. This never stops anyone from sarcastically pointing out that the new constitution whenever it finally gets enacted will only return Thailand to “Thai-style democracy”.

3)Everyone knows that constitutions in Thailand have not only very limited lifespans but equally limited effect on how Thailand is actually administered. This never stops people from foaming on and on about the pernicious effects on Thai democracy (see above) that the upcoming constitution will inevitably have.

4) Everyone knows that those who fail to learn from history are condemned to repeat it. Barking this sententious cliche never stops the barker from failing to list the 1000-plus citizens murdered by state-sanctioned death squads when they do the ‘Lest we forget’ number concerning the Octobers and the Mays from Thai history.

5)Everyone knows that the Prime Minister who ordered the death squads is the de facto leader of the party that is likely to win the election that everyone sees as the first step toward “restoring Thai democracy” (see above). This never stops anyone from insisting that to repeatedly recall the history of his crimes against humanity is to indirectly support the Junta.

6)Everyone knows that the Junta and its twisting of vocabulary and its denial of history is Orwellian. (See above)

Why satire is holy to the French – Opinion – Al Jazeera English

Why satire is holy to the French – Opinion – Al Jazeera English.

These rather sadly solipsistic defenses of Charlie Hebdo’s racism and vulgar Islamophobia have recently spread around the internet like mildew in an old cotton tent left damp before being put away for the season. About the only thing of value I can glean from them is a better understanding of Franco-American relations. One inward-looking, self-regarding “exceptional” nation face to face with its far more powerful identical twin is bound to create neurosis, and apparently it has.

It’s telling that in his potted history of “French” satire Remi leaps from medieval court buffoons entertaining kings and their courts, to Aristophanes having a go at Socrates, before finally coming to Moliere and La Fontaine who “mocked the powerful”, which mockery is the usual justification for the importance of satire in democratic societies, at least outside France.

A final backward glance at satirists lampooning Marie Antoinette and leading starving Parisians to the barricades ends this edifying tour of a grand “French” tradition before we make the great leap into the present. And what do we find there? A television program featuring puppets which is “nothing short of a cultural institution” in France.

Satirical “cultural institutions” are waved like flags in these nationalist cries de coeurs. Charlie itself is also one, apparently.

Presumably they take their place along with other consumer products in the pantheon of contemporary French culture and I think it is touching, this kind of fierce customer loyalty. I mean, I enjoyed watching Spitting Image back in the day, too. Funny, really funny. I don’t recall there being any satire on “nig-nogs” or “sambo” on that show, though.

Muslims in France are a relatively weak, maligned and discriminated against minority. Just because France refuses to recognize ethnicity doesn’t mean it disappears or doesn’t exist and it certainly doesn’t mean that the scurrilous depictions of Muslims in Charlie are not precisely “racist” in the sense laid out by the UN Charter.

Defending Charlie Hebdo’s repeated and constant attacks on Islam and Muslims by referring to court jesters, Aristophanes and bad ol’ Marie Antoinette is beyond pathetic. Mocking Islam and Muslims in today’s racist France is not performing the traditional role of satire mocking the powerful; it is playing the high school bully, entertaining one’s peers by savaging those perceived as weaker and somehow less than yourselves.

And “free speech”? Don’t make me laugh. Even suggesting that freedom of expression is really at issue here is beyond satire, regardless of what “cultural institution” is invoked. I suggest that the French citizens proudly displaying their myopia and narcissism in these spirited “defenses” pull the tent out of storage and let in a little air and light. Look at the world around you, read the UN Charter, check out reruns of Spittng Image.

That mildew has really started to reek.